Saturday, February 28, 2009

unplanned parenthood.

[Gabriella Bellamonte] Gabriella's Saturday morning had started off... peculiarly, to say the least. Not according to the eye of every other person that might have been at the loft last night, which could be any variety of people for as far as Gabbie knew. Around five a.m., she had slipped out of the guest bedroom currently housing the Unbroken Circle's powerhouse Modi, and quietly made her way on bare feet up the hall to return to her room. Around nine in the morning she woke, occupied the bathroom for a shower and other general morning hygenic activities, then left the loft without initiating much by way of conversation with anyone.

Now, at about ten thirty in the morning, Gabriella could be found out somewhere she had never visited before, and never imagined herself going. Milwaukee Avenue had a small square building, one story, and incredibly non-descript, tucked back from the sidewalk with a small parking lot in front of it. 'Planned Parenthood' was written above the twin glass doors in blue and green letters, in a simple font that didn't draw too much attention, much like the building it was scrolled upon the front of.

She was exitting the clinic, dressed for the chill of the day in her black winter coat with a bright green knee-length skirt and shin-high black boots. Her hair was twisted back out of her face, in a loose ponytail, and she wore a soft black winter cap pulled down over her ears to shelter them from the cold. She was tucking something in her purse as she exitted, passing through the parking lot and stepping up onto the sidewalk. Her eyes were cast down, fumbling with the zipper a little as she closed her purse back up. Her mind was elsewhere, far away elsewhere, so it wouldn't take much to sneak up on the girl today.

[Lukas] Planned Parenthood isn't the sort of thing Lukas usually hangs out at. And he's not there today. He's at the small independent bookstore across the street, and by sheer cosmic coincidence, when Gabriella exits the clinic, Lukas is also exiting the bookseller's.

Milwaukee Avenue is only four lanes across in this part of town, which isn't quite full blown suburbia but is getting there. Minivan moms with their McCain '08 bumper stickers and their christ-fish ornaments probably hated driving past the nondescript little building on their way to the movies, to the supermarkets, to soccer practice, but Lukas really couldn't care less. He may not even be anything more than superficially aware of its existence, and when he spots Gabriella across the street, he doesn't immediately connect the dots and grow livid, scream, faint, etc.

Instead, the Ahroun looks pleased to see her. He waves at her, one handed. "Hey, Gabbie." She didn't hear him, wasn't looking his way. He cups his hands to his mouth: "Hey, Gabbie!"

Lukas has a small bag in his left hand, the solid rectangular shape of a new hardback weighing it down. It's chilly out, and his overcoat falls to his knees, shrouding him in black. The thin, warm microfleece pullover he wears underneath is cream-white, though, and its collar, which is turned up past the collar of the overcoat, gives his otherwise somber attire a spot of brightness. He looks both ways, and then starts to jaywalk across toward the young kin.

[Gabriella Bellamonte] Hey, Gabbie!

Of course, the initial reaction to hearing her name called outloud while stepping outside of the kind of place that no one wanted to see their daughter, niece, younger sister, ect. associated with ever made her back go rigid and her eyes go wide in surprise and an initial 'oh shit, I'm busted' feeling swept through her chest, making her heart clench a little and her eyes flutter this way and that to find the source of the call.

A waving arm across the street caught her attention and focused it, and she blinked twice, squinting at the tall, primal, intimidating figure in the long black coat. It was only once he started to cross the road to meet her that recognition hit, and a distinct sinking sensation in her stomach followed.

"Oh, hell....," she murmered.

A glance left was cast, as well as a glance to the right, then she looked back to Lukas and watched him approach. Her weight shifted between her feet, one hand slid the straps of her purse back up to her shoulder, then she closed it in with the other to form a single large fist in front of her stomach. An impulse to bolt played across the back of her mind, and she could tell herself that this was inspired by the Garou's Rage as he grew nearer, but she would just be lying to herself. Rage was nothing new to her. However, being caught in a situation like this by her sister's Beta... that was an entirely new experience.

[Lukas] She doesn't look happy to see him, but then Lukas isn't terribly concerned by this. They're not too close, Kate's sister and Kate's Beta; they know each other passingly and in a pinch he would probably intercede on Gabriella's behalf, if it were necessary, if it were wise, if it was ultimately to the pack's benefit. But they're far from friends, and really, he barely knows the girl.

Still. He's pleased to see her, because he knows her, and because -- well. He's in a good mood. The moon is small; his sister was in town yesterday, if only for three hours.

"Hey," he says again, stepping up on the curb now, his small plastic bag swinging from his left wrist, "what are you doing here?"

By reflex, he looks over her shoulder at the store she just came out of. Only it's not a store at all, and the words over the door read Planned Parenthood, and Lukas is the sort of Garou who was raised in the heart of human civilization, who was sufficiently steeped in human culture as a boy and an early teen, and even as an adult, to know what Planned Parenthood is.

Gabbie can see his face change: it becomes carefully blank, betraying no judgment. He looks back at her, and there's no use for either of them to pretend he hasn't just caught her coming out of a place that deals in, well, the logistics of sex and the consequences of sex. His eyebrows rise a little; he just waits to see what she has to say.

[Gabriella Bellamonte] And, of course, Lukas would have to greet her with the question of the year. She was too busy chanting a mantra of 'oh hell, oh hell' in her mind to be thinking about an excuse to place herself in front of this particular parking lot. Now that the question was asked, put out on the table, she was left without words. There was the truth, which was always the easiest and usually the best option, but girls rarely thought so clearly, especially when on the spot.

It was worse when his pale blue eyes moved from her face to the clinic behind her, when his face fell completely blank, then his eyes slowly fell back on her, expectant. He already knew, to a point, had his assumptions (and they couldn't be too far off point, could they?), but wanted to hear her explaination. How sick was that? Making the girl flounder.

She glanced away, eyes casting down and to the side, then she turned her gaze back to the store front as well. There was a moment's pause, then she sighed quietly and looked back up to Lukas. Her hands parted from where they were held in front of her stomach and lifted, palms up, level with her shoulders. The gesture was an exaggerated shrug-- a 'well, what can you do?' expressed by way of physical motion rather than words.

"I don't suppose a detailed response is required, hm? Not much needs to be said."

[Lukas] "No. Actually," and Lukas is very gentle about this, though also utterly incontrovertible, "there's a lot that needs to be said."

He looks over her head again for another moment. He's thinking, his face shuttered, thoughts his own, and he makes Gabriella wait while he thinks.

Eventually, his eyes return to the girl. "Are you pregnant? Sick?"

[Gabriella Bellamonte] "Well, Lukas, when you're sick you generally go see a doctor...."

For some reason or another, she felt that being a smartass would help the situation some. Or make her feel better, less shakey. Her stomach fluttered from nerves, and images of her sister's outraged face, the disappointed expressions from her brother and mother kept flashing through her mind. Sighing a little and shaking her head, she slipped her hands into her coat pockets and glanced awkwardly up the sidewalk, in the direction that Lukas faced away from, as though she was half-convinced that someone else from the pack would be tailing him.

After all, packs stuck together, right? Plus, the last few times that she'd seen Lukas, that he'd found her in a compromising situation, Katherine had been two minutes behind him. She loved her sister dearly, this was a fact, but she just doubted the Philodox's ability to see shades of gray sometimes.

"Neither, I suspect. Simply cautious." Her chin bobbed in the direction of the clinic. "Better safe than sorry."

[Lukas] Neither, she says, and Lukas' face hardens: he thinks she's lying to him. But then she goes on, she says better safe than sorry, and suddenly there are words to be read between the lines.

He considers her a moment, the same way he had considered the sign, the way he had considered his own thoughts. He clasps his hands behind his back, and his posture becomes effortlessly upright.

"Did you sleep with Hatchet?" He just asks it, just like that.

[Gabriella Bellamonte] Lukas frowned like he didn't believe her, and she discovered quickly that she didn't care whether he believed her or not. If she were lying? If she had gone in there to schedule an abortion or grab some antibiotics for a sexually transmitted disease or anything of that sort? That would have been another story. She would have been compelled to explain further, to make up a situation on the spot and convince Lukas that no, he was wrong, she was neither 'sick' nor pregnant. It was true what they said, though, so long as you knew you were telling the truth that was all that really mattered.

The truth always came out in the end anyways, didn't it?

Then something flashed across Lukas's face-- she couldn't read exactly what it was, he was always one of the more difficult people to read, tended toward logic than emotion, and because of that he gave her little to pick up on, but she could still tell when the gears behind those glacial eyes were whirring. Then, he expressed his next question, straight forward and with nothing in the way of tact.

Did you sleep with Hatchet?

Her spine stiffened, her shoulders levelled, and her eyes flashed something negative-- anger, insult, defensiveness... It was difficult to determine what it was exactly because it faded out as quickly as it had snapped to life. One thin, light colored eyebrow lifted on her forehead, and her response was a faint huff of air through her slightly parted lips, which manifested in the form of a small white cloud that would dissappate before it could even float a full foot away from her face.

"I find that hardly any of your business."

[Lukas] "No, it's not, but it is your sister's business," Lukas' logic is cool and relentless, "and if you prefer, we'll take this to her and she can ask you."

A beat.

Then, startlingly, there's a softening in the way Lukas looks at the girl -- stiff-backed, defiant, defensive, scared. Lukas never had a kid sister. He has an older sister, and that changes things a little; it puts them on more level ground. She was the elder, if only by a year, and therefore it was her job to be responsible and set a good example. He was the boy, and therefore it was her job to grow up to be a man and all that that entails. They bickered and squabbled, but in the end they were partners in crime, on equal footing.

Until he Changed, anyway. Then things changed, too. Less between he and Anezka than between he and his parents, he and his father, true; but they still changed.

Unimportant. The point is: Lukas looks at the girl with something briefly and surprisingly akin to pity, or possibly compassion. His weight shifts a little, not so squared, not so monolithic. He exhales and it's almost a sigh.

"Listen, Gabbie, I'm trying to watch out for you too. It'll be a lot easier on us both if you're just upfront with me. Then if there's something Katherine needs to know, I'll do my level best to break it in a way that won't sent her up in flames. Okay?"

[Gabriella Bellamonte] The first words that Lukas spoke had the littlest Bellamonte's eyes flashing again. Her lips thinned as she pressed them together, her brows lowered some as her eyes narrowed at the Shadow Lord around, and her jaw seemed to square a little as she set it. In her pockets, her hands tightened into small fists that would be quite useless even if she were stupid enough to turn them on The Unbroken Circle's Beta, and a decision was set in her mind.

Fuck you, Lukas, I'm walking away.

But then his expression changed a little, softened into something curious to see him wearing. He tried to compromise, tried to coax a proper answer out of her by switching tactics-- you attract more bees with honey than you do with vinegar and all. But the damage of the first sentence was done. She was defensive now, on guard, the doors had closed and he should consider himself lucky that she was even communicating with him now through the peek hole and mail slot.

So she glanced up the street, in the direction of the nearest bus stop, which was roughly a block and a half away, and she replied in a tone that she was surprised she managed to keep so even, so calm sounding. "There's nothing that Katherine needs to know, Lukas. Nothing needs to be broken to her, or Edward, or anyone for that matter. I'd appreciate it if you let this particular 'sleeping dog' lie."

[Lukas] The Ahroun does not look away as the girl does. His hands are clasped behind his back, so she can't see them -- but they're open, the fingers relaxed, a stark contrast to her clenched fists.

Looking at them, standing there in front of Planned Parenthood with Lukas calm and steady and Gabriella closed up tight and angry, it'd be so easy for a passerby to assign a story to them. Here's the high school senior and her college boyfriend. She's pregnant and she's mad at him. He wants her to get an abortion and that's it, it'll be over with, but she doesn't think it's that simple and she wishes he'd quit pushing. Or; he wants her to keep it and she doesn't. Or; he fucking gave her the clap.

"You know I can't do that," Lukas says, rather gently. "Especially if it was Hatchet." A pause. "Was it?"

[Gabriella Bellamonte] Gabriella, for one, was done with loitering in front of Planned Parenthood. So she forced her fists to uncurl, moved them out of her pockets to tug on her cap, securing it over her ears more comfortably, and adjust the broad lapels to her winter coat. She would turn, keeping her front open to Lukas as something of an invitation for him to walk with her-- she wasn't walking away from him, she just wanted to be elsewhere while they spoke. If he didn't like that, he'd either not follow and leave her the hell alone, or he would grab her coat and stop her.

Either way, she started walking toward the bus stop she started. Today was a Public Transportation day for Gabbie. Teenagers drew less attention when they took public transportation than when they drove around suburban areas like this in cars that were too expensive for the average eighteen-year-old to be behind the wheel of.

...Again, Lukas pressed for a name. And again Gabbie gave him nothing to work with.

"You can do what you like, Lukas, don't tell me you can't. You don't need to share every aspect of my personal life with my sister. She is my sister, you know, and I'll tell her when I'm comfortable to do so. It'll be something between the two of us and have nothing to do with you, because, obviously, you aren't the center of the topic."

Pause.

"...And it's still none of your business who I was with."

[Lukas] She starts to walk toward the bus stop, and originally, when he first saw her across the street, Lukas would have been glad to give her a ride.

That possibility does not seem feasible now.

Nor does he follow her. He stands where he is, and as she pulls away, he raises his voice to follow her. "I'm going to have to tell Katherine, Gabbie."

He waits for her to face him again, or at least to stop. A step closer, just enough so he can drop his voice again, and this is not a threat; this is simply information at this point.

"I know you'll resent it and consider it an act of interference betrayal, and I'm sorry if you feel that way. But from my standpoint, knowing what I do and not knowing what I don't, to say nothing at all would be inexcusable. If our places were switched and you were my sister, I would want Katherine to tell me." A beat. "I'll give it a few days. 'til Monday night, so you have time to do what you need to. But it might go easier on you if you tell her yourself by then."

[Gabriella Bellamonte] Lukas's voice at her back brought Gabbie's steps to a halt, the quiet clicking of the hard, but low heels of her black boots quieting on the pavement. She closed her eyes, took a breath for compsure (perhaps steeling her resolve, or swallowing down a flash of catty temperement that would do nothing more than make the Shadow Lord even more impossible to interact with), then turned at the feet, waist, and shoulders so she was facing him three quarters of the way instead of completely face-on.

He took a step closer, lowered his voice, and set boundaries and timelines. She responded to this by wrinkling her nose a little and scowling at him heavily.

"Lukas, tell me this. Why is it that you feel the need to share my sex life with my sister? I mean, I could certainly understand telling her if I were pregnant, or if someone was trying to claim me as their mate and prevent her or Edward from pawning me off for political family gain, but neither of these circumstances are the case. I had sex, and it's that simple."

She pauses, and, almost reluctantly, she adds in at the end. "If it helps any, it wasn't with Taggart."

[Lukas] "Was it a Garou?" He doesn't answer her directly.

[Gabriella Bellamonte] He deflected her question, swatting it away as a horse would a fly by way of whipping its own flanks with its tail. Her eyes narrowed, and she took a moment before answering in a low tone. Her irritation with his nosiness was mounting, but what could she do about it, really? She could walk away, and he would just shrug and run to Katherine to inform her that her cherished baby sister was a harlot.

So she'd do her best to 'negotiate', as far as one can with Lukas anyways.

"Yes," she half-growled at him. "...Why do you push for a name, Lukas? Is it really necessary?"

[Lukas] "I'm not pushing for a name," Lukas explains this; patiently, even earnestly. "I'm asking so I can answer your question. Because if it was Garou, then it's not your sex life. It's politics. And your sister needs to know." A pause. "I'm sorry."

[Gabriella Bellamonte] I'm sorry.

"Oh like hell you are."

She snapped at him here, and no doubt her irritation was understandable. The poor girl couldn't catch a break. She found herself attracted to someone, mildly, just wanting to spend time with and get to know them, only to be dragged back by the wrist and scolded for being an awful, awful girl to stray to such a person while the other party got his jaw busted by a Modi and his chops busted by pretty much everyone else. And now that she was doing what young adult girls do-- taking up personal business and exploring their feelings, options, and other such things, she was having the hawk-like (or bloodhound-like, considering how easily he seemed able to sniff her out) nose of her siblings' front man shoved directly into the gooey center of her business.

Of course she knew that it was political, she was well versed with her role in Garou society. This didn't make her like it, though, didn't make her anymore comfortable with the notion. It always rubbed her fur the wrong way to be reminded of her place. She could bring it up and discuss it fine on her own, but when it was slapped in her face like this she got... snippy.

"But you know something? That's fine. Be as insensitive as you wish, because saying 'sorry' makes it alright." One hand cut through the air, waving in an irritated manner, as though chasing away a fat junebug that had been droning in her ear for the past minute. "You'll do what you chose, no matter how much I plead with you not to, how much I beg for my privacy and to be let be. So I'd sooner not demean myself by trying."

She felt entirely too warm now, flushed under the collar of the cream-colored turtleneck she opted to wear today, which peaked out from under her winter jacket to hug at her throat. Her eyes felt as though they had just found a hint of smoke on the breeze, burning slightly, from frustration and a small note of humiliation in being found in such a compromising situation and interrogated in front of the 'scene of the crime'. It was all she could do to not sniff angrily and insist that it was the cold that was making her nose threaten to run.

[Lukas] Gabriella's probably right not to try to plead or argue. Arguing with Lukas can be infuriating, and pleading with him even worse: like arguing or pleading with a tidal wave. Words disappear into his unruffled cool like arrows into an ocean, and in the end he'll break on whatever shore he's headed toward, undeflected.

Only -- for a second there, a flicker of an instant, Lukas' brow darkens; he frowns at her, as though troubled or angry.

"I do what I think is right, Gabriella," he says, quietly, and very steadily, but his eyes are hard for a second. "I don't get to choose what that is."

Then it's past. On a short inhale, he squares his weight between his feet, nods her toward the bus stop. "You'd best be on your way. And Gabbie," and damned if this didn't feel familiar to him, "tell your sister before I do."

[Danicka Musil] Near the Planned Parenthood is a Bank of America. Between the Bank and the Planned Parenthood there is a Horuss Microsystems Computer Center. Danicka Musil does not exit either of these locations. She comes out of the Dunkin Donuts across the street, a cup of coffee in hand, sunglasses on her face, hair in a low ponytail. The ends are curled and resting on the front of one shoulder. Her coat is nearly knee-length, black, and wool. Her gloves are black leather. Her jeans are a dark wash, skinny, and she's wearing ankle boots. Black ones.

Over her shoulder is a large bag, not the hobo-styled one she used the other night but broader, stiffer, more businesslike. It's in a dark red. She blows on her latte through the little hole in the plastic lid, playing with some shiny object in her other hand. And that is when she sees --

(feels)

-- two people she knows across the street and down the sidewalk. Outside of a Planned Parenthood. Whatever Danicka's eyes do then can't be seen; she's wearing sunglasses. Whatever instinct she might have to just keep on walking is not followed; she has to pass them to go back the way she came, to go back to where her car is parked. She has places to be today, but they can wait.

Like a true New Yorker, Danicka does not head for the crosswalk but glances quickly and then jogs across the street, careful not to spill her coffee, which smells faintly of caramel. She is in front of Hamilton's Bar and Grill now, a couple of businesses down, and quite definitely walking their way.

[Gabriella Bellamonte] The scene Danicka would walk out to see was one easily misinterpreted, unless you knew precisely who the two standing on the sidewalk in front of that plain one-story white building, made obtrusive and controversial only by the blue-and-green lettering above the front doors. Lukas and Gabbie stood facing one another. Lukas looked mildly irrate at best, but mostly just blank. Gabriella, however, looked rather frustrated. They looked to be arguing. ...Rather, Gabbie looked to be arguing with a brick wall.

He told her to be on her way. Scram, run home little girl. And reminded her of that deadline he'd set for her. Tell Katherine, or I will. Her brows furrowed, her throat tightened, and despite the biting cold of the last month of Midwestern winter biting at her face, she felt that flushed heat climb up out of her collar and along the back of her neck, following her hairline to her temples and forehead. She didn't blush, didn't turn red with her frustration, but she did feel rather warm, itchy, and uncomfortable.

Her mouth opened, no doubt to retort (Don't you tell me what to do!), but the words were stilled by the image of another crossing the street, walking directly toward them without any attempt to hide her path. The feminine figure, nice clothes, and blonde ponytail gave her away-- Danicka. Gabbie wasn't entirely sure how to feel about this, but it was unfortunate that she didn't find any comfort in the fact that another was joining the party... no comfort yet, anyways.

[Lukas] The thing is, it's not like Danicka just shows up out of the blue. She doesn't just materialize. She comes out of a Dunkin Donuts, and then she crosses a street, and then she walks over, and this takes about a minute all told. And for this moment, Lukas wonders if politeness were not overrated; he wonders if he shouldn't just turn and walk the other way before whatever shit might hit the fan did.

Because Lukas does remember the last time the three of them were together in the same space, and that was at the club, where Danicka was so familiar and tender toward Gabriella that Lukas wondered about her leanings. Because Lukas remembers her reaction to his pushing Martin's head into a toilet, and while it's true that Martin's head is not in a toilet, nor Gabriella's, certain things about this situation rang a little too familiar for his taste.

Tell her, or I will.
Tell her, before I do.


Lukas wonders why the fuck Katherine's shit always flew across him first. Lukas thinks being Beta sucks ass sometimes.

And then Lukas turns a little, opening the head-on conversation into a triangle, including Danicka as she comes up on the curb.

"Danička," he says, deadpan, and it's not even an effort -- this quip is weak at best, "please tell me you're not headed to Planned Parenthood too."

[Danicka Musil] The feminine figure, augmented slightly rather than hidden with the coat she's wearing and the shape it is cut to, is sipping from her Dunkin Donuts cup. Danicka carries herself the way she always does out on the town, though this area is a bit out of her usual range. The shiny object she is spinning around one finger is a keychain that catches and flashes back the thin sunlight; there are no keys attached to it.

She is not walking quickly, or any quicker than her natural pace, which is actually quite a long stride. That pace, however, takes her smoothly past the interior decorating shop right beside the Planned Parenthood. Danicka's face is not drained of color -- her cheeks and nose are tipped with pink, as though she has been out in rather chill weather for some time now -- and her expression, at least what can be seen of it, is utterly calm.

Even when she reaches the young Silver Fang Kinfolk and the tall Shadow Lord that cannot help but loom over both of them. It is a mark of respect, or of familiarity, that she stops toying with the keychain and catches it mid-spin in her palm. That hand lifts and pushes her sunglasses up over her forehead; her eyes are no more shocked or appalled than they might have guessed. She nods a hello to Lukas, and then he speaks, precluding her greeting of Gabriella.

Danicka does not laugh. She looks at him placidly, lowers her eyelashes once in a slow blink, and replies gently: "No, Lukáš," she says, and though her expression is reserved as a table at a fine restaurant her tone of voice is genuinely in its reassurance, which may be even more of a slap in the face at the moment. She goes on with a quip of her own, just as smooth but somehow instinctively he'll know it's less gentle: "I'm a fucking bitch, remember?"

Her eyes stay on him for a moment, unchallenging but almost...gauging...and then move to Gabbie. "Hey, Gabbie," she says with a slight turning-up of the corners of her mouth, taking a sip of her coffee.

[Lukas] (fuck. remove the "too" from Lukas' line back there. he would NOT just reveal where gabbie's been just like that.)

[Gabriella Bellamonte] Gabriella couldn't help but appreciate Danicka's presence as soon as Lukas recognized her approach and turned, taking his focus off the Silver Fang kingirl for the moment, redirecting it on someone else, even if only for a moment. This gave her a chance to breathe, to relax her stance some, to take half a step backward to adjust how her weight distributed itself through her hips, knees, and into her feet. A gloveless hand lifted to swipe at her forehead, running cool fingers over her too-warm forehead and taking some comfort in that sensation while she brushed loose hair away from her face.

They bantered, if you could call it that.
Please tell me you're not headed to Planned Parenthood.
I'm a fucking bitch, remember?

This had Gabbie's eyebrow lifted just a little. She was under the impression that Lukas and Danicka had become lovers, though whether this was still the case or not she was uncertain of. It wasn't her business, anyways, so she didn't linger on that thought too long. Simply pulled her hat from her head when she decided she felt too warm for it and folded it into her coat pocket with one hand while smoothing her hair down with the other.

"Hello Danicka," the greeting was returned, but it didn't hold the same enthusiasm and warmth that it normally did. She was too flustered, distracted, and bothered for extreme 'bouts of congeniality at the moment.

[Lukas] It wasn't quite banter; she wasn't quite kidding. Still, it's unexpected enough to surprise, or maybe shock, a huff of a laugh out of him. It lasts a second. Then it's gone.

There's a bookstore across the street. A bookstore. Not a comics store, not a christian bookstore. Just a small, dingy, independent bookstore that probably won't last through this economic downturn. Lukas has done his part, though: when he unclasps his hands from behind his back, there's a small bag around his left wrist and the unmistakable shape of a hardcover in it.

"You caught me on my way out," he says. "I'll see you, Danička. Gabriella."

[Danicka Musil] The keychain is slipped into the large purse Danicka is carrying. The coffee is shifted to her other hand. Her now-freed arm moves to Gabriella, slipping around her shoulders. "See you," she says to Lukas, recognizing that he is pulling the rather staid and genteel version of running for his fucking life and instead of being amused by it, she is thinking to herself that it's one of the smartest things she's ever seen him do.

She turns to look at Gabriella. "Going in or coming out?" is all she asks.

[Gabriella Bellamonte] Lukas had told her to scram, and when Danicka arrived he decided to turn around and scram himself. He said he'd be seeing them, and polite upbringing told her to give him some sort of a farewell-- see you, goodbye, take care.... She didn't, though. She just watched the side of his head as he turned and parted way from the two women, her eyes reading both being upset with him and being exhausted by his company.

It really was probably better that he opted to leave. She watched his back when it was given to them and as it started to shrink as distance was gradually put between himself, the Kinwomen, and that damn clinic of controversy. You were damned to it even after you walked out its doors, if you were within fifty feet of it you were guilty of associating with it.

Danicka's arm slipped around Gabbie's shoulders, and she glanced up at the taller, older woman and lifted her eyebrows at the question that was asked. Were Danicka anyone else, at this point Gabriella probably would have shoved her away and stalked off, frustrated and far from close to being in the mood to play nice. However, she knew that Danicka didn't seek to tease or judge. She asked so that she knew whether or not they would be walking away from the clinic or whether the blonde would be offering her company and escorting the young girl-- so obviously new to this entire aspect of existance-- through those doors.

So, rather than responding with hostility, she answered quietly and, to a point, meekly. "Coming out."

Friday, February 27, 2009

three hour layover.

Flight 722 into Chicago O'Hare touches down 11 minutes earlier than its posted arrival time of 7:25am, Friday, February 27th, 2009. The man waiting outside the security checkpoint glances at the nearby monitors every few minutes, but it's still a pleasant surprise when the woman suddenly shows up behind a knot of noisy adolescents.

"Hey there, kiddo."

She's darkhaired, her skin quite pale. She would be utterly lovely if not for a nose a shade too large, with a strong aquiline arch. He looks up over his newspaper and his whole face lights up with a smile. He puts the paper aside. It's the Wall Street Journal, which is all he ever reads.

"Hey."

When he gets up he's inches taller, and she's a tall woman, with elegant limbs that look good even in her jeans, her casual v-necked tee. She does look distinctly underdressed for the frigid Chicago weather, however. When they embrace, and she nearly disappears into his wool overcoat and layers. They squeeze for a moment, then plant sound, exaggerated kisses on one another's cheeks.

"You're early." This, after they draw apart. He looks down; she has no luggage, only a small laptop bag. "Bags still checked?"

"Yep, all the way to JFK."

"I guess I don't get to see it then."

"Not at all. That's what you get for leaving me to take care of everything."

His mouth quirks. "Sorry."

"You're not sorry at all."

"No," his smile is spreading, "I'm not."

She rolls her eyes, and then she grins. They grin at each other for a moment.

"So how long do you have?"

"The layover's about three hours. You should thank me. I took the red-eye out of LAX to get here early. I could've slept."

"I haven't slept yet."

"And whose fault is that?"

"Nag."

"Tch." She doesn't deign to respond. Instead, "I'm starving; let's get something to eat."

"There's a Starbucks over near Terminal 2."

"I hate Starbucks." She follows him anyway.

--

Later, over a caramel macchiato for her and a caffè americano for him, plus three or four assorted breads, she studies him for some time. In the end she smiles, though her brow frowns.

"You look different."

"Do I?"

"Yeah. I don't know what it is. I guess you just look older. I haven't seen you for a while."

"It's only been, what... half a year? I saw you last summer."

"That's a pretty long time for people like you."

He makes a rueful gesture, a small twist of his mouth. "I guess."

"You should really come back to New York more often."

"I go there when I need to."

"You know what I mean. You should come home. Just for a week or two."

"I write all the time." He's faintly defensive now; hears that note in himself, quells it. Evenly, "And I call."

"You know it's not the same."

"I know that."

"You should come back with me. The plane was really empty coming out of LA -- I could probably get you a ticket."

"What, just up and leave, go to New York for a week?"

"Why not? The sky's not going to fall because you're not around for a week."

"My place is here, with my pack."

"For heaven's sake, you haven't been home in almost three years. That's a really long time, for people like you."

"Look." He controls his frustration, makes his voice hard. "Can we just drop this?"

--

Silence for a while, after that.

--

"So what did you get him?" It's an olive branch of sorts.

"A tie clip."

"Oh, come on, I could've done better -- "

"I was joking." She sounds annoyed. "I got him a digital video camera, since his old one broke. At first I thought I could record a clip of you saying hello, happy birthday, all that. But then I thought you wouldn't do it anyway."

He frowns. "I would've done it. I would've been glad to. You should've asked me."

"Well, that and the fact that I was afraid you'd be missing an eye or an ear by now."

He keeps frowning. She sighs.

"That was a joke too. God, you didn't always use to be such a grump."

He looks away, brow knit. He finishes his coffee, sets the little paper cup aside. "Do you have your cell phone?"

"What? Why?"

"Take a video of me."

She looks at him for a moment, dubious. Then she twists around to rummage through her bag, comes up with an iPhone, points it at him. There's a quiet chime, and then she nods at him to start.

He looks at the tiny dark eye of the camera for a moment. Then: "Hi, Dad. It's me. Just wanted to say happy birthday. Many happy returns. I'm sorry I can't be there." A pause. "I love you guys a lot."

--

"I do understand, you know." This is after she's finished the last of her coffee, and she's toying with the empty cup. "It must be difficult, being what you are. Having a family -- I mean a human family, not a pack -- that must make it worse."

He grimaces. "It's not just that. It's also that I have responsibilities here. Duties."

She looks at him frankly; it's the same sort of regard he's turned on others. "Duties so important you can take one week out of a year? Three days?"

He says nothing.

She watches him a little longer, then sighs. "Anyway. I didn't mean to nag. And I do get it." She opens her hand, palm-up on the tabletop. "It's just that we miss you, is all."

He looks at her hand for a moment before putting his hand over it.

"I miss you guys too." A pause. "It's just that it's different now."

"How do you mean?"

"It's just different."

She studies him for a moment. He thinks he recognizes the look; it mirrors him somehow. It's the way she looks at him, and the eyes too. Their eyes are exactly the same, down to the color, down to the shape.

Finally, she begins to smile.

"What a silly thing you are," she says.

He looks at her a moment. Then, slowly and wryly, he smiles too.

--

It's later now. The airport is waking up and filling up with travelers. Conversation ebbs and flows in the small cafe; the area immediately around them is always empty. They're done with their breakfast, and the air has thawed again. The lemon bread was excellent; the cinnamon raisin decent. The banana bread was pretty gross, and no one wanted the last chunk. It sits there, drying out. They're hunched together, staring at some viral video her laptop. Their grins are identical too, though he stifles his behind his fist. The video gets to the punch line and both of them burst into laughter at the same time, startling the woman one table over.

"That was disgusting. I can't believe ms. future crack corporate lawyer defiles her mind like that."

"Oh please, like you're some kind of saint."

"I am. Canonized and all. Look in the books, my name's in there."

She only rolls her eyes, smirking. He claps her laptop closed.

"Blasphemous tripe," he pronounces, deadpan.

--

"Hey," she's eating the last, dried-out bit of banana bread, "I heard Danička's in Chicago now. Danička Musil, Miloslav's daughter?"

There's just the tiniest pause. "Yeah, she is. Apparently we used to all play together."

She snorts. " 'We'? Speak for yourself; the little bitch never shared her crayons with me."

"How do you remember this stuff? I can't recall any of it."

"If you had to color in shades of gray, you'd remember too."

He allows himself a little smirk.

"Always let you have whatever you wanted, though."

The smirk fades a little; his eyebrows flicker up as though to say, bygones are bygones.

--

It's 10:28am. They're walking toward the security check, walking slowly. Passengers stream around them, some briskly, some strolling -- some running because they were about to miss their flight.

"I kind of wish I'd flown in yesterday. We could've gone somewhere."

"It's too cold to go anywhere. Living out in California, you've forgotten what winter's like."

"That and the fact that you're too damn busy, right?"

He thinks of bloody entrails and dirty alley floors. "I was a little busy last night."

"Oh God, I don't want details."

"No," he laughs under his breath, "you really don't."

There's a silence; they smile at each other a moment, he affectionate, she wry, a little in spite of herself. Then she holds out her arms. "OK. Come here."

They squeeze each other, sway from side to side like overenthusiastic children until he laughs again. When she draws back, though, she's serious; she gives his shoulders a little shake, as though he were still a child.

"Take care of yourself, Lukášek. Okay? Be careful."

"Don't worry about me. I can take care of myself."

"I know you can. Still."

"Say hi to Mom and Dad for me."

"I will. Say hi to Ed and the pack for me."

"I will."

"And Danička."

"Do you want me to steal a crayon for you?"

She grins suddenly. "You're an asshole," she says, affectionately. "And I'm about to miss my flight."

"Yeah. Go, go."

"Goodbye, Lukášek."

"Goodbye, Anežka."

She turns and heads through the security check. On the other side, she turns and waves. He waves back, free hand in the pocket of his trousers. After she turns away, he heads out of the airport terminal.

for this to end.

Danicka
It's hours later when Lukas comes back. Dawn is still some time off, the sky still slow to awaken though the days are getting longer and longer. The snow on the ground keeps melting into puddles and runoff, but it's freezing again now, as he makes his way back into the Brotherhood. Someone has been doing some cleaning up in the common room: maybe Danicka. Maybe one of the other Garou. Maybe Saint Jennifer. It still smells of blood, though, underneath whatever water and soap were applied to the flooring.

The door to Lukas's room is unlocked, and the lanyard-borne key bumps against the inside of the door when he opens it, hanging from the interior knob. The lights are off, except for the clip-on lamp attached to his headboard. Everything is as he left it, except for these changes: there is a large leather bag sitting on his desk. There is a woman's cream-colored wool coat hanging in his closed closet, though he cannot see it at the moment. No one has been sitting in his chair, because it's gone. No one has been eating his koláče...so far as he knows. But someone has been lying in his bed, and she's still there.

Despite the fact that the room is cool, Goldilocks is resting on top of the covers, the pillow arranged behind her head and shoulders to prop her up slightly. Her long legs are bare, her lower half clad only in the simplest undergarments he's seen on her yet: a pair of plain white bikini panties, low-cut and missing any detail of elastic or seam, a hint that even her 'plain' underwear isn't picked up at Wal-Mart. Danicka's hair is dried, down around her shoulders. Her t-shirt is a soft yellow, with a design on the lower right side of her body of blackwork coming out of the spout of an upended tea kettle. There are words; with the way she's sitting, they're indiscernable. They don't matter anyway.

There is a telltale line of wiring going from each ear down to the iPhone resting beside her hip on the bed; one of her legs is crossed over the other, her foot bobbing gentle to whatever song she's listening to. Her eyes are on the book she's reading, which has a Malamute-headed man in a red smoking jacket on the cover. When the door opens, however, her eyes flick towards Lukas.

She smiles. It's small, and momentary, but it's there. Checking the page number, rather than getting a bookmark, Danicka closes her book and reaches up to take her earbuds out.

Lukas
4:42am in the Brotherhood is a quiet time -- long after most the residents are asleep; before the kinfolk are awake. On a normal night Lukas likes to spend this hour before dawn reading in the open spaces of the common room, sometimes with the TV tuned to some public broadcast station or other if they have a concert on, more often with it off. The first time they met here, he was doing just that, reading, while she came up the stairs with Sam, both of them a little tipsy or more than a little tipsy.

He's not reading tonight. He's not even back until a quarter to five, and then the Ford pulls up sedately outside. He comes in the back, not hurrying, trusting the darkness of his clothing to hide the new mess he's made of himself. He unlocks the back door with blood-sticky hands and then goes up the stairs, showers again.

Carefully this time. Taking his time, getting himself clean.

It's a little past 5 when he comes back to his room. It's his own room, so he doesn't knock, only twists the knob and pushes the door open. His second change of clothes have followed his dedicated underclothes into the washer. He has a towel tucked around his waist, another draped over his neck.

She smiles at him. He doesn't smile back; his brow contracts instead, as though she puzzled him, or troubled him somehow. He shuts the door behind himself, quietly, and then goes over to his dresser, opens the top drawer. He leaves wet footprints on the wood floor.

"I thought you'd be asleep by now. Or gone." He gets a folding straight-razor out, a can of expensive shaving foam that he shakes with loose, rapid swings of his wrist as he turns to face her. Normally now he'd return to the bathroom, shave in front of the mirror. He doesn't. He leans against the desk, and when the shaving foam is adequately shaken, he applies it to himself by touch. "Aren't you tired?"

Danicka
The tips of her fingers slide gently across the screen of her phone, turning off the music before she starts winding up the cord of the earbuds. As he is walking to the dresser, Danicka is -- silently -- setting the book on the nightstand and then the phone on the book. As he is opening his mouth to speak, she is re-settling herself against his pillow, head turned to watch him.

"I told you I'd be here," she says quietly, mindful of the walls she knows are as thin as a dormitory's. The words are spoken lightly, without scolding or even amusement.

It's not unlike the tone of voice she used in the wee hours of the morning on the night she left the room right next door to his, slipping into her heels and fastening her earrings as her eyes watched him from across the common room. There's something almost like reverence in her tone, respect for the quiet, or maybe just an easy comfort in his presence that is not always easy, or comfortable, for either of them.

"A little," she confesses, her body rolling slightly to her side, but she doesn't prop herself up. "I dozed for a bit, though." The pause in her words only lasts about as long as her slow blink. "What about you?"

Lukas
There's an echo in his mind --

I suppose you don't sleep.
Don't be silly. Of course I sleep. I'm heading to bed in an hour.


-- and an echo in his mind, too, of her presence here, at this hour, in one of these small rooms, though it's not the empty one next to his this time. He looks at her for a moment, his jaw white with foam, his brow furrowed as though in confusion or pain, and then he looks down and unfolds the straight blade from the handle.

"I sleep late." He gives her a wry tilt of his mouth, not quite a smile. Then he gets up and goes to the cheap, woodframed, three-quarter-length mirror hanging on the door. Lukas has never been to college, but perhaps Danicka has, and this would be familiar to her.

His back to her, beadlets of water drying on the broad stretches of muscle networking shoulderblades to arm, ribs to spine, he shaves himself, tilting his head to get at the angle of his jaw. Every few strokes he pauses to wipe the blade clean on the towel folded around his neck, and when he's shaved half his face he steps aside a little, until he can meet her eyes in reflection.

"What are you doing here, really?"

Danicka
An echo is all it is, an allusion. Finding out that she wanted him, too, had not made him or the woman less inclined to satisfying that want. If anything, it had made it worse. Driving her home in the morning had not damned either of them, but it sure as hell didn't save them, either. Now, too, it isn't hints of flesh underneath clothes or the memory of the sound of her voice letting out pleasured noises that fill his head. Lukas knows every inch of Danicka's body know, has moved inside of her over and over, has tasted her and made her produce not stifled and truncated sounds but full-throated cries for more.

She's seen his face, his eyes, when he comes. She's touched every scar, buried her face in his neck and inhaled his scent as though she were not a human being but an animal capable of memorizing it. She has stroked his sweat-dampened hair while they've caught their breath, still feeling him inside of her rather than falling back against her own pillows in her own room in her otherwise cold bed, staring at the ceiling and cursing his name and his stubbornness and everything else about him.

Somehow the fact that there isn't any mystery left in that respect doesn't change anything.

He shaves, and she watches. Danicka doesn't pick up her book or her phone again. She lays on her side, curled on his pillow, arms relaxed, and doesn't say another word until he asks for one.

"I told you," comes the mild answer. Too mild. The fact that her voice never picks up any intensity as she speaks to him now and remains level and gentle instead is indication enough: the question annoys her. "And I wasn't lying. If you want me to go, say you want me to go. If you want me to call first, tell me to call first."

Lukas
If you want me to go--
"I don't want you to go."

He cuts her off quietly, absolutely, the way he'd explained to Erick, earlier, that Milo was a Bringer of Light; that Milo was effectively innocent until proven guilty. His eyes hold hers in reflection for a moment. It's a strange dichotomy, seeing a Garou, an Ahroun, in a mirror. The form is the same. The rage is somehow missing, dissociated; it's like seeing, if only for a second, and imperfectly, what he might have been if he had not been born with a shapechanger's spirit in his mutable skin.

Which is bare now, great swathes of it, the white towels very bright against his swarthy slavic complexion. She's seen every inch of him naked, and he's not shy. The truth is, he'd only put the towel on at all because there was a distance between the bathroom and his room that was public.

"I want you to stay," he adds.

He resumes shaving, using the end of the towel to wipe a smear of shaving cream off his face, cleaning the razor on it as well before starting in on the other side of his face. Few men shave with traditional straight razors these days, but it suits Lukas, and he wields the tool with an ease that bespeaks long practice.

"I'm just at a loss with you sometimes," he says to his reflection then, watching the razor gleam across his skin, scraping whiskers and foam ahead of it, leaving bare smooth skin behind. "You've told me you need to set deadlines for yourself so you don't have to think about it until then. Even so, I don't understand how you can be here again, like this. Not after the way we parted, and not after you've told me you don't even want to come upstairs here. I just want you to explain how you can ... reconcile yourself with yourself."

Danicka
She looks like she belongs there. Lying on his bed in her t-shirt and underwear as though this is how and where she sleeps every night, book nearby and eyes softened by weariness as well as dim lighting, Danicka looks as comfortable against his pillow as though she's always been there. Chalk that up to what an excellent liar she is, to how easily she can fit in a variety of situations, and then start to ask yourself how it is that sometimes she doesn't fit, how sometimes she is so obviously out of her element that it bears wondering if even that is a calculated move, a decision.

And then, chillingly, her quietude and her relaxation here are questionable, too. The way she looks at him with the aid of the mirror, the reflections of their eyes meeting even if their gazes truly don't. Suddenly her softness and her willingness to be here become suspect, everything about her becomes a potential lie. A man could make himself go mad with paranoia if he liked.

Or he could look at her like this, listen to her, and decide that yes: she seems like she belongs here, and she wants to be here, and the way she looks at him is as genuine as the rest even if he could not describe on his best day just how she is looking at him.

There's an almost poetic parallelism to what he says to her. Not to go. To stay. It is the same message repeated, essentially, but both have their own necessity and meaning in her hearing. A ghost of a smile sweeps over Danicka's lips, there and gone as certainly but as quickly as a flicker of movement out of the periphery of one's vision.

"Consistency is for children and pets," Danicka says easily, an apparently old quip of hers. "I'm neither. You aren't." The shoulder that is not pressed against his mattress lifts and falls once, nudging towards her ear and then deciding not to bother. "Last time, I didn't want to come up here. After we talked, I didn't want to be around you. And now I do."

She pauses, and if he sees her in the mirror he can see her thinking, contemplating what to say next. She slides over again, onto her back, looking at the ceiling. Her legs are bent, one more acutely than the other, soles flat on his blanket. Danicka's hands rest loosely on top of her abdomen. "...I don't really feel a need to," is her answer, as far as reconciliation is concerned. Her tone is, as her expression, thoughtful.

As if this is the first time she's ever thought about it. Or thought about it quite like that.

Lukas
Lukas looks at her for a moment in the mirror, his eyes sliding over his shoulder. The light comes from behind him, and behind her, cresting over her on the bed, skimming over his shoulder, bouncing off the mirror. It gives his face an odd dark-bright quality, between the shadows cast by the light and the lights cast by the mirror. His eyes are visibly blue, but darker than they normally are -- full of shadows.

"Okay," he says, quietly. It's a conscious decision: to not ask more questions. To not ask her how long she intends to stay, nor what's in the bag, nor why her coat is hanging in his closet.

He accepts it the way he lays out his own truths: as it appears, as it is, as it's given, and without question or doubt. Perhaps this sort of acceptance is only possible in these hours just before dawn, when the night is not quite night, and the day has not yet broken.

Lukas finishes shaving, wipes the razor clean one more time, and then folds it into its handle. Crosses the room to drop it back in his top drawer. In absence of a sink, he gets a bottle of water out from the same drawer he'd kept the Wyborowa Exquisite in last time she was in his room. He pours a little onto the end of his towel, and uses that to wipe his face clean of the last residues of shaving cream.

Then, pulling the towel off his neck, he scuffs it over his hair -- raises the plastered-down wet strands into spikes and horns. Wipes his face down, his chest and arms, tosses it atop the table.

There isn't a lot of room in the room. It's a scant few steps from the table to the bed, and he looks down at her a moment before sitting on the edge, his body twisted to face her.

"I need to go at a quarter to seven," he tells her, quietly, as if this mattered. "I have to meet someone."

Danicka
Perhaps this sort of acceptance is only possible after brief but draining, vicious battle, where had a certain Silver Fang not interceded his entrails would now be adorning the neck of a Black Spiral. Perhaps this sort of acceptance is only possible after hours spent dismembering corpses of monsters and hiding them away from prying mortal eyes. Perhaps it's just a question, tonight, of what is worth it and what is not.

Or maybe it's because it's not quite sunrise yet, and they have only been together once before at a time like this, the reverse of twilight, and they had each seen each other so clearly then, even if only in flickers of eye contact and the ebb and flow of subtext.

Okay, he says.
And nothing, she says.

Finally, Lukas cleans his face and walks over to the bed where she's lying on her back, sitting on the edge of the narrow mattress still wrapped in the towel around his lower half. Her head turns, eyes leaving the ceiling and finding his. In answer to him, Danicka just nods, without asking who he has to meet or where he's going. She does not question, or doubt, insofar as loyalty is concerned. Were he to fuck someone else she would not fault him, but she would be freed from her own odd, unromantic monogamy. And she does not care where he is going, or who he is seeing, regardless: asking would be a politeness, a pretense of consideration that has no real place between them. She is not here to ask after his day.

She came here to see him. She has seen him, watched him in the shower and let him see her in a way he never has before, however brief it was. She has laid in his bed and amongst his space, smelling him faintly on the linens. She saw him as he shaved, and now as he comes within reach.

Danicka's hand lifts off of her belly, moving over to his bicep. The backs of her fingers rub lightly against the skin of his arm, blindly. "C'mere," she whispers, barely making a sound.

Lukas
There's something strangely --

(what? Familiar? Fitting? Right?)

-- about all this. The way she'd looked on his bed, not in lingerie designed to seduce or inflame but in simple cotton. The way she'd looked at him when he entered, and smiled. The way they'd spoken to one another as he shaved himself in the mirror, without his typical coldness, his mile-high defenses; without her faintly patronizing patience and gentleness.

The way her coat hangs in his closet, even. The way that she's here at all, when he was not. He had thought that would infuriate him, that she opened his closet while he was gone, that she could've been in his space, snooping around, digging through his drawers and his shelves and his secret. He had thought he would never tolerate someone else in his space, but when she'd said I'll be in your room when you come back?, a question, he'd handed her his key without a thought, an answer.

Maybe that's what brought this acceptance, in the end. The simple fact that the time for resistance, at least for tonight, was already long past. It had washed down the drain with the tainted blood of those he had slain.

She touches him now, lightly. He looks at her hand against his arm, and then at her face. It makes his brow draw tight again -- not out of anger but out of consternation, and something oddly akin to loss.

He realizes he could get used to this. Is getting used to this. He realizes he is not indifferent to whether or not she'll end this tomorrow, or a week from tomorrow, or a month.

He thinks, I don't want this to end.

Come here, she says. He turns away to roll onto the bed, planting his hand for leverage, drawing his feet up. He stretches out beside her, more or less on his stomach where she's on her back, his head propped on his fist. His hand finds the skin above the waistband of her panties, under her shirt, as easily as if it were made to rest there. There's a moment where he only looks at her, her face and then her body, the shape of his hand at her waist, under her shirt, and then her face again.

He's always the solemn type, the thoughtful, quiet type, this Ahroun with all his reserve, all his fallibilities, all his strange and convoluted codes of honor and conduct and behavior: always, but never so much as now, with his hand on her body, in his room, in his too-small bed. And solemn still, he moves his hand up her body, his wrist pushing her shirt ahead of it, baring a stretch of her skin that's golden-white in the light of the single reading lamp, pushes his hand up with a focus that's almost scholarly,almost severe, a focus that would be almost absurd if it weren't for the fact that he is so intensely absorbed, so utterly lost in the feel of her skin, and the beating of her heart against the palm of his hand when his hand finally opens over her breast.

She was wrong about one thing, this woman that so frequently reads him like an open book. Thoughts of her caught in the one act where they seem incapable of complete control, incapable of dissemblance, have been on his mind since the second he saw her. He just controls it better than most.

He's looking into her face again now, and if he's weary from battle, from cleanup, from the hour, she can't see it in his eyes. They're as clear and pale as ever, as sharp and fierce as ever. His thumb passes over the nipple, flicking it until it tightens on itself, and then he pushes her shirt up until he can see her. He raises himself on his elbow and bends over her, curving his body to hers, cups her flesh to his mouth, puts his mouth to her breast.

Danicka
There seems to be no expectation in the way Danicka lies there, or the way she touches his arm. Of course there is inherent intent in the slurred invitation she whispers to him: to lie down beside her, to kiss her, to move closer. Something. There is familiarity, though, and what's almost aching to realize is that this isn't the first instance. There have been brief flashes of it since that night in the club, most of them quickly suppressed, ignored, or explained away.

Even the morning after she fucked his packmate, there had been an odd comfortability in the way Danicka was with him, coming in flickers. Mere moments have gone by where they have been as casual as old friends together, like when they shared double shots of vodka in this room. Their conversation had not been any easier for it, but the way they'd poured for each other, the way they tapped their glasses without issuing toasts...it felt...right.

She has not snooped around, opening drawers and rifling through his closet. Danicka had opened the closet door, taken a hanger, put her coat on it, put it back inside, and closed the closet door again before getting this little pajama-like ensemble out of her bag. She'd changed, and gotten into his bed, and she hasn't even climbed under his covers. All of those things she could have done in his den while he was gone didn't happen, but he has no way of knowing that, and yet he had not so much as hesitated to hand her his key.

The look on his face as she touches him, her eyes matching his glance for glance, goes unremarked. Danicka waits, able to see that pang of...something...go through him and yet unable to tell exactly what goes through his mind. Maybe it would surprise her. Lukas cannot read her well enough, now or perhaps ever, to know on his own how she would react. He would have to tell her first. He would have to ask her.

That, for perhaps a thousand reasons, is not what he does.

She smiles softly in that way she has, neither placid nor closed, as he rolls onto the bed. She had smiled at him like this that night at the hotel, looking at him with aid of the mirror over the sinks as she sat on a cushioned stool wrapped in a bathrobe and drying her hair. Seeing him watching her, Danicka's otherwise wandering eyes had looked at him in the glass, and she'd smiled like this before letting her gaze travel once more, humming a song he could not hear over the noise of the dryer.

Danicka shifts slightly beside him, to make more room for him, to tilt her body towards his. Every single time they have had sex one of them has all but devoured the other. He has lifted her onto his body. She has climbed onto his lap. Their mouths have met with seemingly more hunger than any other part of them, and they have rushed headlong towards completion as though desperate to escape something, or find something, or as though they were going off to war...with each other.

Her eyelashes flicker when he touches her, yellow cotton rucked up a bit, but she doesn't blink. Danicka's stomach and chest move slightly with her breathing, steady as he goes, but he can feel her pulse and her respirations quicken, following the slow caress of his palm even before he touches her breast. When he does, she sighs quietly, restraining more of a sound, and lifts her arm over her head, reaching for the back of the lamp and wordlessly turning it off.

So now her eyes are grayish in the darkness, his still touched with color, and she is looking at him as though he has never done this to her before. In a way, he hasn't. She is looking at him as though no one has ever done this to her before. But that's another question entirely.

A moment of that look before he bends over her and engulfs her nipple in hot, humid sensation. Danicka breathes out heavily, but still quietly, her hands moving as though through water until they come to rest on his wet hair. It is unnecessary for her to tell him not to stop now. She does not reach down to grab her hem and wriggle out of her t-shirt. What she does is touch his hair, and stroke it back as he makes waves of heat emanate through her entire body, just under the skin. His hair is the only thing that feels cold.

Another hard breath is exhaled, this time with a shudder. Danicka says not a word, but tilts her body closer to his, slides one of her hands down the back of his neck, over his shoulderblade, and along his torso until her fingertips find the towel around his waist. With the gentlest tug of her fingers hooking under the fabric it comes loose, and begins to rub across his skin as she pulls it away, flicks it back off of his hip. The relatively cool air of the room brushes up against him once more, only to be followed by the warmth of Danicka's leg sliding around his waist.

Lukas
She looks at him like he has never done this to her before, and in a way, he hasn't. Not like this. When the lights go out the room is dark, but not black. His windowshades are open; they always are. He likes the moonlight, the starlight, the citylight. He likes the sense that he can see the sky outside, and were she not in the room, he might have opened the window as well.

He likes the bracing chill; the freshness of the air when the city's traffic stops and the day's rush ends and everything is still, and quiet, and waiting for the sunrise.

They're waiting for the sunrise, in this grey darkness, where her eyes have lost their color, but his still retain their clarity.

And he has never done this before, not quite like this. Not with this patience, this inexorable patience, and without saying a word: his mouth moving over her flesh, not just the nipple now but the underside of her breast, the skin over her breastbone, the midline of her body, the bottommost rung of her ribs. He kisses her skin, pressing his hand to the mattress on the far side of her now, bracing himself half over her, his torso bent at an angle, and when she flicks his towel off and wraps her leg around him, he's hard against her thigh, ready to fuck.

And yet.

And yet, he doesn't move over her, or move her over him. His mouth moves over her body, from the line of her diaphragm to the cusp of her hipbone, up again. He explores her, and his eyes are closed now, there's barely anything to see anyway -- he finds his way past her navel to the twisting serpentine muscles of her abdomen, somewhere beneath the skin; he finds his way back to her beating heart.

And he pauses there, his lips to her skin, his mouth open to her skin, the indent beneath her breastbone where the apex of the heart pushes close to the surface, where the great nerves of the torso bunch into a single ganglion, where a well-placed blow could stun, or kill outright.

She can hear him draw a shuddering breath, and he slides his arms under her waist, he clasps her to him tightly, as though he'd just finished, as though he were already deep inside her, riding the last fading echoes of his pleasure.

A moment passes. Then he moves on, drifts on to her right breast, his arms loosening now. His mouth closes there, he sucks at her flesh, sucks at her body until he hears her gasping, quietly, almost silently, because the walls are thin and he doesn't want to flaunt this, and perhaps neither does she.

Or maybe it's not so simple as that. Maybe it has less to do with his respect for his packmates, for the other residents, and more to do with his need for privacy. His respect for her, or for this. For the intimacy of this act, which is, in the end, between him and her exclusively, alone.

His mouth lets go her breast. He lifts his head to her and kisses her now at last, with a devouring, slow hunger, the way fire engulfs that which does not burn easily.

She has lifted her leg over his hip, but when the kiss parts he slips out of her clasp. He turns her around instead, dropping a kiss on her shoulder, behind her now on the mattress, the way it had been that first night, that third time; like that and unlike that.

His arms are iron-hard, all muscle and strength. He wraps his arm around her waist and draws her back against him, her shirt ridden halfway up her body and rumpled between them, parts her legs with his free hand, slips his knee between hers and levers her thighs gently open, holds her thighs open for his hand, which presses down past the waistband of her plain white panties, and his sex is burning hot against the small of her back, and his mouth is burning hot on the back of her neck, and he touches her, touches her, with a gentle and ruthless insistence, the way her fingers had shown him the last time, at the hotel, when she knelt facing away from him on a two thousand dollar mattress and made his mind reel.

Danicka
This is easy because it is not meant to last. This is easy because there is a set ending point, at least for her, at least in her mind, at least for now. This is easy because the moon is still a crescent in the sky, not yet aching for fullness, and this is easy because it does not require her to hear things from his mouth that incense or disgust her, and this is easy because he does not have to hear anything from her lips that he might doubt. This is the easiest thing in the world for them, and like all things that are easy, it somehow makes everything around it more work.

The next time Danicka stands in her kitchen with the light streaming in through the eight-foot-tall windows that curve outward to view the city, flour on her hands and music vibrating in her throat and behind her lips, it will be harder for her to curl and wrap the dough around the filling of candied oranges whipped smooth and (easy) it will be more difficult for her when she licks a bit of sugar off the pad of her thumb and thinks about the way he looks when he smiles. She will not smile to herself but her brow will furrow slightly the way his did just moments ago, with confusion, with a twinge of unexpected pain.

The next time she sees him and he says something stupid, or cruel, or cold, it will not incense but inflame her, and Gaia only knows what she'll say to him then. Gaia only knows what he'll do to her then, thoughtless or tempered or not, and how hard it will be to feel herself hating him if he does, if he doesn't, if she sees him hating himself, or hating her. It will be horrible, the next time she lies to him after this, whatever this is, whenever it is meant to end or will end because the moon is large and bright enough to burn away the spiderweb-thin safety net currently stretched between them.

Whatever this is, he has never done it before, and never with her, and it goes unspoken if not unacknowledged between them. Danicka is nearly silent, a perhaps unexpected shift from her usually unfettered exultations. She does not lay on her back even with him braced over her like this, though her body is tilted, hips and shoulders towards his own. There is almost no Rage left in him, just the dim but vital burning deep within, like a spiritual pilot light. It is not out of fear that she told him she did not want to have him like that; he should know by now that it is not pride, or shame, not from this woman.

Lukas makes his way across her body, finding the muscles hidden under the softness and discovering with an attentiveness he's never bestowed on her body before that her lack of strength does not go hand in hand with a lack of health, or a smooth flexibility, which he has seen displayed. Her features are soft enough that she could easily bear more weight than she does without being weighed down; she is slight at the wrists and throat and other places in a way that reads of never having been as big as she perhaps should be.

He knows how to touch her when his hand slips between her legs and he knows that when she rides him she moans loudly when he touches her breasts but he finds now that a kiss on the right spot of her hip makes her shiver slightly. He discovers a flutter of a reaction when his lips and the tip of his nose trace their way over the skin below her abdomen, where she is ticklish. He learns that when his face comes to her chest and his mouth rests above her heart that she almost automatically, instinctively, reaches up and lays her hand on the back of his head, fingertips drawing minute spirals against his scalp.

He learns that Danicka, who begs in another language for the gods or the fates or someone to tell her why she wants him as much as she does, who trembles after she comes while he is clinging to her, who cannot help but squirm if his mouth is anywhere near her inner thigh, barely makes a sound tonight until he stops, until he wraps his arms fully around her and holds her to him. Then, she whimpers, and bites the exclamation off as soon as she hears herself making it. Her fingers are still in his hair. Her leg is still around him. Instead of whimpering when her lips open again, she sighs.

Lukas unfolds from around her, descends to her breast once more, and though the thought occurs to her to ask him if he didn't get enough before, Danicka doesn't voice it. A smile flickers over her lips, then scatters as he goes on...and on...if she makes noise she doesn't mean to. If all she does is gasp she does it thoughtlessly, like the way he pretends to promise that he will never strike her, like the way she dismisses this as unlikely and ultimately unimportant.

But she does gasp, and her voice shakes slightly behind the rush of air.

She opens her eyes and she's facing away from him, his mouth on her neck and her back half-bared, their skin in contact and his hand --

"Oh," she moans, a hard sound, not elongated or breathy at all, coming from her diaphragm and not her throat, so that she almost sings it (contralto).

The last thing she remembers is him kissing her, before this. She remembers her arms going around him, tightening around him as their tongues met and she tasted his toothpaste and smelled his shaving foam still lingering on his skin. As he tasted a hint of oranges in her mouth, the way she claimed once to want to taste his. The last thing Danicka was aware of before that moan was closing her eyes as they kissed for the first time since she left him lying in that two-thousand-dollar mattress, thinking

oh god

oh god

oh god, no.


She wants to tell him not to stop. And she wants to turn her head and kiss him again. She wants to buck against his body, or his hand, but she doesn't say a word and she doesn't go for his mouth. Danicka reaches down and hooks her thumbs in the sides of her underwear and pushes them down. Not far. Off of her hips, off of his wrist, not even halfway down her thighs before she lets them go and clutches at the blankets instead. She moves against the top of his leg, gasps, and when she cannot stand it any more she turns her face into the pillow that has been propping her up so much of the night and opening her mouth, burying a long, tremulous note of pleasure into the cushion where he lays his head almost every night.

Danicka does not reach for his hands, or kiss him. Her fingers hold a white-knuckled grip on the blanket she's lying on, the lower half of her body writhing slowly against his hand, his thigh, his cock. The first one is not the only cry she releases, but they keep getting louder, until she bites down, eyes shut tight and her voice descending to a hard groan as her orgasm, rolling through her all this time until it curls her toes, finally begins to let her go.

The pillowcase is slightly wet from her mouth when it, like Danicka, is let go. She is panting as quietly as she can, feeling him against her back with every ragged movement of her torso pulling at air. Perhaps it was the need -- or determination -- for silence that made her pleasure as intense as it seems to have been. Maybe it was his mouth all over her for minutes stretching out like skeins of fate and inevitabilities. Maybe it's just the fact that the last time they saw each other there was conversation about this exact thing, about not doing this here, about --

Fuck. She's forgotten.

Danicka opens her eyes and cannot lick her lips because her tongue feels as dry at the moment as her lips, as her entire mouth. Her eyes that he cannot see are a vicious, ravenous green, the color reserved for the sin of envy and the miracle of resurrection.

"Lukáš ," she breathes out after a moment, her hands still clenched around fistfuls of fabric covering his mattress, saying his name the only way she ever does -- before or after, never during. There is more for her to say, but she pauses there.

Danicka starts to twist around in his arms, her clothes barely clinging to her and sweat on her brow, on the small of her back, on her thighs and her breasts. She looks at him hungrily, almost angrily, and puts her hands on his chest, fingernails digging into his shoulders. She barely even seems human at the moment, a creature of desire and little else, a wild id without ego telling her what she can't have and superego telling her what she shouldn't want in the first place.

"I want to ride you. I want you inside me...but you may need to cover my mouth."

Lukas
It's different every time he goes to bed with her. It's changing, and evolving, and faster than he could have anticipated. No, that's a lie: he had not anticipated it at all. Not this. Not any of this.

Not the way he felt when he walked in to find her listening to music on his bed, which is a way that he can't even begin to articulate, not even to himself. Not the sense of something inside him crumpling on itself, as though his ribs had suddenly curved in on themselves; as though something deeper than the bones, deeper than the blood, had suddenly lost its strength and its hardness, become brittle and breakable, utterly fragile.

Not the way he wanted her this time, wants her this time: not for the quick simple satisfaction of her hot wet sex, and not for the sharp pleasure of her legs wrapping around him, her arms wrapping around him, her mouth opening to his as she rides him to a white-hot orgasm. Not like that, but otherwise: slower, and all-consuming, as though every inch of her breathing body mattered in at some basic, elemental level.

It matters, suddenly, the way her thighs strain to clench together, and the way she twists and writhes, turns her face to the pillow to muffle her cries; the way she strains her body and grasps at the blankets with her hands. It matters, the way the muscles in her abdomen snake and flutter against his clasping, steadying left hand, and how, at the end, they seem to crystallize and run molten at once, and he feels the shuddering begin deep inside her.

He does not stop when she begins to come. He takes her over and through the peak of her orgasm, and his teeth scrape over the back of her neck, and he bites her, lightly but thoughtlessly, as she turns electric in his arms.

When she is only just beginning to return his hand moves, sliding down, grinding the heel of his hand suddenly and firmly against her in the sharp wake of her climax. He presses his fingers into her to feel the way her cunt has suddenly become a living thing with its own vital rhythms, clenching and releasing against his fingertips in pulses.

He had not expected this: that it does not matter that her skin is not even wholly his, that her shirt is rumpled between them, and her panties are tangled around her thighs, that he is not inside her. That none of this matters at all in these moments directly after, when he lies with her in the aftermath of her orgasm, his hand caught between her thighs, his hand pressing her back against him, her heart hammering so hard he could feel it through her back, her ragged breathing tearing through the predawn silence in the eight-by-ten space of his room.

He had not expected that it was not his own pleasure he wants here, this time, but hers.

Moments pass; and he's silent, utterly silent, his breathing deep and fast; he's iron-hard against her back, but he doesn't move. He keeps his arm clasped tight around her, and he keeps his hand pressed tight against her, until at last she lets go the pillowcase with her teeth, lets go his hand with her thighs, lets go some undefinable, elusive tension, starts to turn. He loosens his arm then, and she twists about, and her eyes are wild, and his fingers are wet when they come to a rest on her hip.

His eyes darken when she speaks, the pupils so large in this light, in his arousal, that the blue is only a rim around the black. She gets to I want you inside me and it's like flint striking steel. The words ricochet down the dark recesses of his mind and whatever restraint he had before, whatever superhuman restraint had kept him from devouring her with his mouth, fucking her with his cock while she came on his hand, is gone, gone, gone. His chest expands on a half-convulsive inhale, his nostrils flaring. Her nails dig in and the muscles beneath her fingers flex of their own accord, in reflex and reaction, and then in deliberate action as he grabs her by the hips and rolls her roughly atop. He says nothing. He flexes up to her, every bit of leverage internalized in the axis of his body, musculature clenching from throat to groin to bring him up to her. His mouth collides with hers; his hands stay where they are, at the crests of her hips, he tears at her mouth with his, and when they come apart and he falls back against the rumpled bedspread he's not even trying to hide that he's panting.

It's nearly 6am now, there's light in the east, the sky is turning blue and grey. There's enough light to see her by, though she's ghostly, her pale skin and pale hair blued by the light. Her eyes would be shocking green, but the light is not the right color; it does not reflect correctly from her irises, though it does from his. His eyes are blue as they ever are, glassy with pleasure, only he's had almost no fucking pleasure, so it's not that: glassy with a sort of intoxication, then, a sort of addiction all his own, not crack or cocaine or heroin but this, sex, her. There's a beat where he might've tried to speak, but no -- he kisses her again, hard, brief, and this time when they part he has words for her:

"Come on."

-- which are not words, really, no more than oh my god were words, but simply a noise imbued with some vague meaning, some vague encouragement, so he tries again,

"Fuck me."

Danicka
It's interesting that they've never talked to each other much about the sex they've had, despite how blunt Lukas can be when he mentions it or how uninhibited Danicka is in this regard. Their conversations have glanced over the fact that they're even sleeping with each other, that they want each other, that even when she was coming off of fucking his packmate (the bratr jeho duše) there was thick attraction if not immediate desire in the air between them. Lukas has not said to her what it did to him when she turned around on the hotel mattress and bent forward, touching herself as he moved inside her. Danicka has not described for him the way she felt when they kissed for the first time.

Danicka has not told him that she stopped being able to always tell the difference between fear and desire a long, long time ago. That may be important. But in the future, which may not exist.

He knows so little about this woman, remembers less, but times like this it doesn't seem to matter. He cannot open her mind the way he parts her legs and read the light in her eyes the way he reads pleasure on her face when she comes. Lukas has wanted her from the beginning, finding himself drawn in and intrigued and caught up in understanding what seems made by nature and experience to not be understood; he would not be so if there were hints that she is like this as a lure, as a mystique calculated to attract members of the opposite sex. He has wanted to figure her out, claims not to know why, and his wanting does not seem to be the key to it. She gives him what she can, when she can --

She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What's not believed in...


-- and because it cannot possibly be enough for him, it is no wonder that he wants to have her just like this, alive and unhindered and unhinged, her eyes so open to him that for one he can read everything in him, even if 'everything' is just desire.

It isn't just desire, but that is not the point. The point is that he cannot be blamed for reaching for her when he wants to understand her, when some part of him wants to keep her. Right now, touched and held not until neither of them can stand to be separate any longer but until orgasm wracks her body, Danicka is as she said she was earlier: she is his, open to him, brutally and searingly honest, informing him without embarrassment that she may not be able to stop herself from crying out this morning, even though she knows they are not completely alone here.

The Danicka in his arms right now, pulled on top of him, seems almost animalistic in her arousal, in her satisfaction if not satiation. Yet that's not all there is, not by a long shot. She does not know what to do with his teeth on the back of her neck and the sharp jolt of lust going through her at that point, or with the way he is looking at her now, letting her see every single nuance in his own eyes. Right now she looks like she could eat him alive. Right now he looks like he is going to lose his mind if they aren't together, now.

She lies on top of him, unable to straddle him as both of them would like. So she captures his mouth with her own as two pairs of hands force her underwear further down her thighs, until she wriggles successfully and quickly out of the scrap of fabric, kicking into the netherworld where his towel was dropped. As soon as it's gone, her ankles and knees freed, Danicka presses her hands on his chest, runs her tongue from his collarbone up the side of his neck, and whispers seethingly: "Get a condom," from between clenched teeth. Her hands press down on him and she sits up, thighs spread over his, hands leaving him to tear her shirt off of her upper body and throw it aside.

They aren't going to be able to stop the springs under this thin mattress from protesting their abuse. They aren't going to manage to stop their gasping, panting pulls for oxygen. Even if they share each other's air instead of opening their mouths to the room, even if Lukas claps a hand over Danicka's mouth, it's a very distinct possibility that the two female Garou next door are going to know that he is fucking his Kinfolk in there, the one his entire pack seems to despise, the one they're convinced is not going to become any sort of fixture in his life or theirs.

Naked now, hair askew and eyes wild, Danicka looks down at him and runs her hands up his torso again, fingertips teasing his nipples, hips writhing as though in anticipation of more.

Lukas
If his life depended on it, he would not be able to explain how it came to this. How it went from a shortcut through an alley to a bitter fight to a sprint across the umbral nightscape to a bloody shower stall to her on his bed, in a tshirt and plain white panties, smiling at him, to this.

How it went from a casual, half-random meeting at a nightclub, a handshake across their mutual acquaintance, is that Danicka or Danička, to a car ride home in the morning where he talked about Sam, and tried to think about Sam, and tried to watch out for Sam, when all he could think about was

the way she cried out in pleasure, muffled through the walls. And how it went from then to now; when all he can think about now is

the way she cried out in pleasure, muffled into his pillow.

He could not explain how the points connected to make the whole if his life depended on it. It's a sort of madness; a sort of total and catastrophic loss of control; an inability to even predict your own movements and thoughts and actions, much less those of another.

Because when she's atop him, they're both fighting with her underwear as if he didn't get it off her, if she didn't wriggle out of it in another half a second he'd simply grab it and tear it. And what you have to understand, what Danicka may or may not understand, is that Lukas is not like this. He is not like this. He is not mindless with need. He does not tear at a woman's clothes. He does not touch her like her pleasure was important somehow; he does not look in her face when she comes, and he does not kiss her when he comes; he does not do any of this.

Did not.

And for all that: in the predawn gloom of his room, he's fighting with her, they're fighting with her underwear, and then she kicks it off, and she draws her knees up and she straddles him, and he thinks, Oh my god, he thinks, Ó, můj bože, he thinks none of this at all, only a wheeling sense of -- hunger, when he opens his hands over her skin and she tells him to

get a fucking condom, of all things, and his need is so savage it almost spikes into anger, and then she sits up and she whips her shirt off, and he allows himself a second, just a second, to look at her in the ghostly light.

"You're a fucking bitch," he tells her, but his anger has melted suddenly into a sort of savage amusement. He flashes her a grin, all teeth.

Then he grabs her by the waist and topples her off him, roughly, her shoulder thumps the wall, which is not the polite thing to do, but then again it's this or fuck her, right now, condom or not, and he chooses this. He climbs out of bed and she can bet her ass if this happens again in this room, ever, he'll have moved his condoms to the nightstand, but for now they're across the room, in the second drawer of his desk, and he doesn't bother trying to open the little box -- he just grabs it and tears it in a single, swift gesture. His hands don't shake; this is a sort of deliberate chaos. He scatters the little packets all over the desktop, grabs and tears the first one open.

He pulls it over himself with his back to her, and she can see the way the columns of muscle at the base of his back tighten on themselves at even this; he's rolling it down as he comes back to bed, both hands, then just one, and he doesn't so much lay down as he throws himself down, the mattress creaking protest, the headboard slamming against the wall, and that's not okay, that's not okay at all, so he grabs his pillows and stuffs it between the headboard and the wall.

He puts his hand on her hip and draws her over him, his other hand gripping the base of his cock, and he tells her to

"Get on."

as if he were some sort of horse, or amusement park ride (what was the joke, you must be this long to ride?), and then she's climbing on top of him, and taking him inside, and his head falls back as it had in that expensive suite, on that expensive bed, the tendons in his neck taut as he strains back, his back strains into an arc, baring his teeth in a silent wince of pleasure that borders on anger, or pain.

A moment later he's with her again, his eyes fiercely clear; touches her body as she begins to ride him, caresses her breasts and her sides, the span of her abdomen, open his hand over the juncture of her thigh to her hip, presses his thumb to her clitoris, rubs, and when the first sounds start to escape her he reaches up and grabs her by the back of the neck, bends her down to him and muffles her mouth against the lee of his shoulder, turns to drop a single hard kiss on the tender spot beneath her ear, behind her jaw.

He doesn't merely lie still for her this time, straining toward control while she rides him to a peak. His knees bend, his feet planting flat on the mattress. His weight goes to his shoulderblades, the soles of his feet, and his body flexes into a tensile arc beneath her. He fucks her like this, and it does not matter that sweat is running up his back, that his muscles are burning with the strain of it. Right now, it probably wouldn't matter too much to Lukas if he died like this: fucking her like this, fucking her hard and ferociously fast, holding her by the hips to steady her against his penetration.

When she begins to cry out he turns her mouth against his shoulder again, his arms wrapping around her shoulders, his hand cradling the back of her head. His skin is searing hot and sweat-salty beneath her lips. There's a curious duality in this between the way he fucks her with all the force of his lower body, ruthless, and the way he holds her with her face turned to the juncture of his shoulder and his neck, her upper body pressed so closely to his she can feel his heartbeat hammering through her ribcage as though it were her own: as though to let go of her would be to let go of something irreplaceable that, once lost, could never be found again.

He does not look at her when he comes this time. He does not even try, and cannot. When his climax is upon him his hands go back to her hips, he grinds her down as he arches up, he becomes a single seamless arc of tension beneath her and he doesn't press her mouth to his shoulder now; he presses his mouth to her shoulder, teeth bared, teeth open, trying not to bite down too hard, trying to hold onto his silence.

Danicka can hear him gasping in the humid space between their bodies, snatching one harsh breath after another out of the air.

Afterward, slowly, his hips lower back to the mattress, and his legs straighten, he relaxes, but he brings her with him, he keeps her pressed to him, her body open to his cock, her body pressed to his. His hands move over her back and he tightens his arm, pulls her close, close. His breath is shuddering in his lungs. His exhaustion -- the night, the fuck, the battle, all of it -- is finally beginning to affect him: not creeping mildly up to tug at him but rising up like a tsunami out of a calm ocean, a great roaring grey wave breaking over his head.

It doesn't matter; Lukas doesn't let go of her.

Danicka
It's easier to be an animal, and not have to explain why, or how, or even ask these questions. To not have to, as Lukas put it, reconcile yourself to yourself. To accept that everybody lies, to themselves most of all, and embrace that with wholehearted affection for the concept. It is easier to an animal and for the only reasoning behind anything to be impulse.

When he sees her like this, base and wholly driven by wants that she does not ever pause to doubt or analyze, he is seeing her as elemental. She burns because that is what fire does. She flows, she freezes, she melts, and evaporates. She is as warm and moist as welcoming as the earth, as alive as it longs to be. When he kisses her, he kisses her as though she is what fills his lungs, exists and vitalizes even when he can't see her there.

A dozen chances go by for her to tell him that seeing him reading in the common room she had not wanted to walk drunkenly to him and climb onto him instead of the Fenrir; she had wanted to let go of Sam's hand, and cross the room, and curl beside him on the couch, smelling him, absorbing his warmth as his eyes scanned the page. It was not until she felt lips pressing against her hip that her head tilted back and the hair under her hands was momentarily black in her mind's eye instead of blond, soft to the point of silky instead of almost strawlike. She has had a dozen chances to tell him that yes, she was trying to hide behind an unknown language, but yes, she thought about him, and yes, she wanted him.

On some level she still believes that denying herself that first brief flash of longing, to go and simply be near to him, is what led to all of this. On some level Danicka still believes that they would all be better off now if she had not told herself No.

If she told him any of this, somewhere between frustrating talks in cars and hands clutching at naked skin, then he might understand why now she will not stop, why she never stops, why she does things like stepping into a shower pink and red with Spiral blood and his blood. He might understand a lot of things she has done, a lot of things he has become, if Danicka would tell him the answers to questions he does not even know to ask.

Instead she rubs herself against his thigh and touches his chest as though she needs the haptic reassurance to anchor her in reality right now. You're a fucking bitch, he all but snarls at her, even if a bit happily, and the same sort of fierce, violent smile breaks across her own face, mischief bright in her eyes for the...first time he's ever seen. For one startling, terrifying second they are not just in the same room, in the same state of lust, they are smiling like animals, like old friends, like co-conspirators.

Danicka doesn't have a chance to reply, though, before she's all but thrown off of Lukas's body. Her shoulder knocks and she flinches, but doesn't cry out. They're supposed to try and be quiet. Her eyes glitter on his back, his ass, his waist, as he goes for the too-far-away prophylactics, tearing into thin cardboard and foil. A vision hits her then, hard and fast enough for her to reel from it, for her breathing to turn again into panting, but she would not know what to say to him even if she could say anything at all.

Her leg goes over him when he comes back, before he has even laid down fully, before he has grabbed a hold of himself and even as the words are leaving his mouth, as though by taking him inside of her she can exorcise whatever thoughts, whatever impulses, are hitting her when she knows she is not brave enough to follow them to their conclusion.

There is no slow entry this time, no gentle gasp from her mouth. Danicka's pelvis meets Lukas's seconds after he tells her to get on, to fuck him, and though her left hand is almost tender against his pectoral muscles, she is biting savagely into the knuckle of her right index finger so she does not moan aloud. Her eyes are closed; she doesn't see the look on his face so much as feels him beneath her, arching, twisting, and one might think: trying not to die.

She is all right, she is fine, when his hands are roaming her body. She is not so fine when he returns to the scene of his earlier crime, and that is when a singing groan begins in her throat. That is when he pulls her down to him, but she's already folding her upper body over his, knowing by now that her weight isn't going to make a bit of difference to him. Drawn to his skin, she almost gratefully looses cries into him, her hands sliding along the sides of his ribs, to his waist, back up again. This is unnecessary; this does not serve to do anything but keep her touching him, keep him under his hands, memorized inch by inch and scar by scar through her palms instead of her eyes.

Even when his hand is no longer on the back of her neck, when he holds onto her hips to grind her body down on his, Danicka does not sit up. She holds her mouth to the slope and muscle where his shoulder flows up to his throat, the headboard slamming against the pillow with bounces against the wall which makes no noise even if the bedsprings are yelling What the hell, man?

He holds her.

Not after, not by default because they are against a wall, not with a single arm wrapped around her from behind but almost cradled to his chest, to his shoulder. And Danicka does not so much as try to move away, chose before and would choose again to remain curled against him like this while his hips flex with each thrust, while she rolls her own and meets him, every damn time. They are not looking at each other when he comes, but her lips leave his skin for the barest second to loose a single small cry when his teeth find her flesh, small enough to reach his ear, perhaps small enough not to echo. It isn't pain. It isn't even surprise. It's...relief. Or something like it.

She is still riding him, stilling her hips for the protracted seconds of his orgasm, her hands no longer moving and her arms wrapped as far around him as she could get them. When it's done, though, when it's over, when she feels him begin to breathe again, Danicka swivels her hips. She lifts her head long enough to look at him, finally satisfied, as though to warn him. Her eyes roll back, and no warning leaves her mouth. She starts to moan, moving on him again. And then moving faster. And then, with the noises in her throat barely stifled and trending upwards in both pitch and volume, she finds his shoulder again, as though she belongs there.

When Danicka comes, using whatever strength is left in his body for herself, she starts to scream. Starts to. Her mouth opens against his skin, a sharp cry escapes, and to stop it from becoming more, Danicka sinks her teeth into the meat of his shoulder. She does not use as much care with him as he used with her. She bites, a shudder running down her spine. This orgasm is not as intense as the last, but with his body engaged still he feels every contraction of muscle, every ounce of tension in her arms and her thighs around him. He can hear every note of her shriek, bitten into his flesh as though tattooing him with the sound.

And by god if she has trembled before after coming on him, in his arms, she is shaking like a leaf now, as though cold. Her mouth has let him go and her lips are quivering against the bite mark she's left, and she will not lift her head from his chest to look at him.

Lukas
It's just a moment -- just a moment where she's still, and he's still, and they're breathing together, motionless.

And then she moves.

She rolls her hips against him, gives her hips a slow swing while he's still inside her, not yet softened, still entirely too fucking hypersensitive in the fleeting moments after orgasm, too sensitive to even move, too sensitive to even withdraw, much less --

The effect is electric. A bullet of tension wracks down his back. Just like that, his exhaustion splits in two, cloven in twain by the jagged bolt of sensation that relays up his spine, and his head doesn't so much fall back as he slams it back, hard enough to rumple the sheets, and he sucks a sharp breath in between his teeth.

She looks at him, as though to warn him, and he wants to tell her that she's going to kill him, that she can't do this to him, that she can't start again like this, so soon, ten fucking seconds after he came; that she can't do any of this to him, she can't be here fucking him with his packmates who may despise her next door (only he was the one who started this), and she can't be here at all (only he was the one who told her to stay), and she can't be with him at all (only he was the one who started that, too).

He wants to tell her that, but he's afraid if he opens his mouth he'll just groan, he'll just say her name like it was an incantation, and anyway she's moaning now, she's lost in herself, and anyway he has no words left in him -- her hips move against his, her cunt is moving on him, so fucking hot, and the pleasure of it is so sharp it's unbearable, it scatters his thoughts in all directions like fish from the harpoon.

There's a second when his hands grab her hips and hold her still, when his fingers dig into her hard enough to leave white marks that slowly flush red. A second where it seems inevitable that he'll stop her, push her off, get up off the bed, put his clothes on.

Then it passes. He lets go her hips, lets her move as she will. His hands go to her waist, slide up her back, he opens his hands on her sides and lets her ride him, lets her move faster and harder even though it's blowing his fucking mind, even though it's making his thighs twitch and his hips buck and the muscles of his lower abdomen spasm and contract involuntarily.

"Oh -- fuck -- " he says at one point; and a little later, "Oh my fucking God -- "

It doesn't mean anything. His mind is a whirling void -- she's at the edge and he's losing his mind, his fingers clutch at her skin, and she turns her face to his shoulder and bites down, she screams into his flesh, she bears down on him and what's left of his mind is in fragments, and he can't take it, and

it was only a few seconds, a minute on the outside between the first mindblowing rotation of her hips and now, and then she's liquefied in his arms, as though her very bones had melted, and she's beginning to shake, and her sex is still squeezing him inside her in fading contractions, each a little fainter than the last.

They're just lying there. He can't even tell how hard he's holding onto her anymore because all his nerves are scalded, stripped bare, incapable of conduction.

She doesn't look at him, and this is fine. He's not sure there's anything there to look at. He's half-afraid that the top of his head has supernovaed and whatever dark detritus and glistening thoughts that might fill his mind have blown out across the sheets, might be spread out now like a star map for her to read. He's afraid that if she looks at him now, she'll read every last thought he's ever had, and she'll see

(he does not want this to end.)

to the very core of him, as though he were glass.

But she's shaking, trembling as though she has lost all control over her muscles. And as his thoughts begin to spin together again, like particles coalescing to elements, he tightens his arms around her, staring at the ceiling without properly seeing it, and then closing his eyes altogether.

Danicka
Were they lying together in a queen- or king-sized bed in some hotel room, or in her as-of-yet unseen bedroom in that sparkling high-rise, there might have been words between them during this. There might have been a real warning, and he might have told her that she can't, she can't, she can't. Even if either of them could speak, or allowed themselves to, there is no telling if Danicka would have stopped, and no telling if Lukas would have made her.

She has never asked him to make an exception for her, even if he wishes she would. She does not expect him to protect her, even if he knows that he would. He does not want this to end and she seems to want nothing at all from him, nothing but this, nothing but to be near him sometimes. He has called her a liar and he could very easily call her cruel, but...

But the way she touched his hair the first time he came inside of her, murmuring I'm here, I'm here. But her feet tucking under his for warmth. But, strangely, her almost hurt-seeming fury with him for laying a hand on her friend (she cares about that man). But a rush of words from her telling him that she feels something when she's around him, though he still doesn't know what that is. But laughing in the shower at the W, something about never getting back in bed if they didn't turn off the water. But her hand over his heart while she slept. But knuckles softly stroking his cheek in her car, before they argued. But her smile, when he entered the room...how long ago? An hour? More?

Dawn is coming, and he will have to go soon, and despite what she just did to him and what she has been doing to him from the beginning, he cannot honestly call her cruel.

She kisses the spot where she bit him, long after the fact, when she has caught her breath and he has caught his and their bodies are still joined at the hip. Even minutes later she is molten from the waist down, laying almost limply on top of him. Her hand is over his heart. Her left ear is on the right side of his chest, her hair everywhere, stuck to him and to her with sweat. Danicka's eyelashes flicker over his skin when she blinks. He looks up; she looks at her fingertips on his chest, thoughtful.

Her quaking stilled after awhile. Her shaking died down, because she's not really cold, not actually. Not until long, long after his eyes close. Her fingertips move slightly on his chest, and then she draws a smiley face on his left pectoral, his nipple standing in for a nose. Her cheek moves on him as her lips stretch into a smile of her own.

"Jste přežít?"

Lukas
His eyes have not opened since they closed, and there's really nothing he'd like more than to sleep, sleep, sleep for a thousand years. His exhaustion is back, a great grey curtain of it sweeping his mind like a warm summer rain. His nerves are still flayed, but they're recovering -- the distant parts of his body are sending in all-clears and casualty reports, and when he feels her fingertips move on his chest his arms loosen a little, give her room to move and breathe.

Jste přežít? she wants to know, and his eyes flicker open; his chest moves beneath her, a huff that takes the place of a laugh.

"Ty mě skoro zabil," he says, quietly, but it's not a whisper -- she can hear and feel the rumble of the lower harmonics of his voice in his chest, rough-edged with humor, with tiredness. "Ale já ne zemřít tak snadno."

He turns his head -- there's a clock radio on the nightstand, the sort of cheap plastic thing that any college kid would have, complete with a big snooze bar that even the most uncoordinated half-asleep victim could reliably smack.

The numbers are red against dark: 6:37. The sun is just barely up outside and the sky is a deep, vivid blue.

He draws a deep breath. Then one hand leaves her back. He reaches up and pulls the pillows loose from where he'd wedged them earlier -- it makes him laugh suddenly, and quietly; he's surprised at his makeshift silencer, surprised he even had the presence of mind to think of it. The headboard thumps back into place, the pillows tumble down. He pushes them to the side and tucks a hand behind his head, pillowing his head on his hand instead.

He should get up. He should shower again -- three times in six hours; that must be some sort of record. He should get dressed and go to the airport, and he can imagine the trip: the white glare of the dawning day, the surreal clarity of a night without sleep.

He should leave. He should ask her how long she intended to stay here. He should ask her if she'll be back; but he doesn't do any of this. It's the same decision he'd already made, reprised. He won't ask, he thinks to himself. He'll watch and see, and he'll take what she'll give.

Danicka
Moments just lying together are precious few between them. They fuck, they recover, and sometimes while they catch their breath and regain their strength...well, yes, they might touch. They might have arms loosely slung around each other, or she might stroke his hair, or he might keep her body close to his chest. When it's over, though, when they both feel the finality of the last orgasms their bodies can stand to have in a matter of hours, they do not lie there cuddling.

Even sleeping together at the hotel the day they met at the aquarium could not qualify. Danicka had been unconscious seconds after draping her arm over his side, had not nuzzled or squeezed him in silent, purely physical affection. And they are not going to do that tonight; the bed is just wide enough for Lukas to sleep on comfortably; if she stayed here they would end up tangled, pressed together, waking with kinks in their necks and sore spots in their backs.

For now it doesn't quite matter; she is not a terribly short woman, even if she is slender, but she can lie on top of him for awhile and not regret it. She regrets nothing. She does not apologize for nearly killing him. She just smiles, and thinks: My mother was an Ahroun.

Emphasis on the 'was'.

As Lukas reaches back for the pillows that kept the headboard from announcing to everyone on the floor what was going on -- as if her stifled screaming wouldn't be heard by those close enough, as if his oh my fucking God had not left his throat at all but only been thought in his head -- Danicka takes a deep breath and sighs with a sound very much like contentment. She begins to stretch, sliding her arms upward, and as the unfurling of her body reaches her hips they begin to lift slowly, with more care than she has ever used with him when pulling away. The look on her face is one of pleased satisfaction, cheeks still flushed and hair askew, a youthful smile stretching her lips.

Her hands go to either side of his head to brace her weight on something other than his body, as she rolls off of him and onto her side, laying on the bicep of the arm tucked behind his head. At some point before this she glanced at the clock. It's very near a quarter til seven. As she looks at him, she isn't thinking about asking him why they did this here when he did not want to 'flaunt' it. She's thinking about how different his jaw and his throat can look: covered in blood, covered in shaving foam, glistening slightly with sweat. It's a strange thought to be having, fleeting, and not one worth voicing.

So after awhile -- the clock reads 6:39 now -- she slides her hand over his jaw, cupping his cheek, and gently draws his mouth to hers, kissing him slowly, softly, until she forgets what it was like to not be. That makes it more difficult to pull away, and behind her the clock now says that it's 6:42. Danicka looks at his eyes, thumb rubbing over his cheek, and try as he might he cannot read sadness or disappointment there, he cannot read anything but her regard, her awareness of him.

"I'll be gone when you get back," she whispers, like a secret, and not an unkind one, "but it isn't you."

As if to preclude an answer, Danicka kisses him again, firmly and quickly, parting only to say: "You need to go." Her lips land on his cheek, in no rush to do this, or to move him, but yet her words still urge him in that direction: "Ranní ptáče dál doskáče." Which she recites with a smile, almost teasing. Her hand leaves his cheek, slowly. Maybe even reluctantly.

When he does leave, when he hauls his body out of bed to shower if he will and drive through the morning to go see his sister, Danicka is still naked in his bed. When he returns she will have locked the door behind her. Her coat and her bag will be gone, her book and her iPhone, everything just as it was before she showed up in the wee hours after midnight. The bed is mad, pillow smoothed and...it's like she was never there.

Except that later, when he climbs under the covers again, the smell of her is everywhere, deep in the fibers of his pillow, his sheets, his blanket, his being.
 
Copyright Lukáš Wyrmbreaker 2010.
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